000			02007nam a22001937a 4500
005			20240503140925.0
008			240423b |||||||| |||| 00| 0 eng d
020			_a9780300243253
040			_cNCA-PK
082			_a709.944 _bSHA
100			_aShackelford, George T. M.
245			_aMonet : the late years / George T.M. Shackelford ; with essays by Claire M. Barry, Simon Kelly, Emma Cauvin, Marianne Mathieu. _cGeorge T. M. Shackelford
260			_aNew Haven, Connecticut ; London, England _bDistributed by Yale University Press, _c2019
300			_a214p _billustrations (chiefly color), photographs, plans, portraits ; 29 cm, HB
500			_a"In the later years of his life, Claude Monet (1840-1926) stayed close to home, turning to his extraordinary garden at Giverny for inspiration. The garden became a laboratory for the artist's concentrated study of natural phenomena-and for a revolutionary shift in the appearance and execution of his paintings. This beautiful publication examines the last phase of Monet's career, beginning in 1913, bringing together approximately 60 of his greatest works from this period. More specifically, Monet: The Late Years focuses on the series that Monet invented and reinvented at Giverny, reevaluating many large-scale works that have long been considered preparatory studies, reexamining their relationship to and status as finished works. Essays by a roster of distinguished scholars address topics such as Monet's plans for displaying his late paintings, the mechanics of his painting technique, and the critical and market reception of these works. Through this visually stunning reassessment, Monet's late works, still astonishing a century later, recast the titan of Impressionism as a radical modern painter." --publisher's description, dust jacket.
546			_aEnglish
650			_aMonet, Claude, 1840-1926--Exhibitions. Monet, Claude, 1840-1926--Last years--Exhibitions. Monet, Claude, 1840-1926--Last years--Themes, motives.
942			_cREF
999			_c65197 _d65197